MENOMENA W/ APOSTLES OF HUSTLE, Chicago, IL 11/13/04- The Empty Bottle
So I’ve been sitting with my laptop at this coffee shop for about an hour trying
to think of an eloquent way to describe my Menomena experience. Unfortunately, I
keep finding myself at a loss for words. At least, at a loss for more . . .
refined words. So I’m just gonna go ahead and tell it like it is when I say:
Menomena’s performance made me fucking cream my pants.
I already knew that their music was damn sexy. I am the Fun Blame Monster is
chock full of breathy male vocals, haunting keyboard melodies, driving drums,
even the occasional jazzy saxophone solo. Now take all that musical sexiness and
multiply it by ten and you can approximate how HOT this band is live on stage.
And I’m not really referring to their looks, either, though all three members
are cute in their own right. It’s their music and their stage presence that left
me needing a cold shower after the show. If I smoked, I would have needed a
cigarette afterwards. In fact just thinking about it as I write this, two days
later, is getting me all riled up.
The body-numbing effect the show had on me began the minute Menomena kicked off
with “The Strongest Man in the World,” the hottest song on an album full of
extremely hot songs. (Let’s count how many times I can use the word “hot” in
this review). It’s a relatively minimalist song that varies in intensity
throughout while drummer Danny Seim sings the words “I am fused out of iron”
over and over again in his wispy tenor and boy, did it ever hit the spot. Only
three minutes into the show and I’m already melting into the floor. His skills
on the drum, meanwhile, were amazing and best displayed in “Cough Coughing,”
where the lightning-speed opening drum rolls come at you like an explosion. It
was thrilling, really. Meanwhile, guitarist/bassist/saxophonist Justin Harris
and keyboardist/guitarist/xylophonist Brent Knopf regularly switched between
their respective instruments in mid-song without even missing a beat. Brent
spent most of the show seated and hidden behind his keyboard, so all I could see
was his head bobbing around with his eyes closed as he played. Dare I say it was
hot? And damn, when Justin turned his back on the audience and cocked his hip to
rail on that saxophone . . . well, I had a little trouble controlling myself.
But when it comes down to it, it’s the vocals of this band that really do it for
me. All three members of Menomena sing, something I didn’t realize until seeing
them in person. Though their voices are somewhat similar, there are enough
subtle differences to really appreciate what each voice brings to their sound.
Danny’s quieter, airy voice is perfect in the background and on softer tracks
like the aforementioned “Strongest Man.” Justin’s voice is generally strong and
he does a pretty good job of pulling off the falsetto. Brent’s voice, however,
is my favorite. It’s gritty and resolute and cracks a little when he’s sort of
yelling over his own keyboards, and when the show ended with him singing on
“Monkey’s Back,” I just about collapsed in my own drool on the grimy Empty
Bottle floor.
Apostles of Hustle came on soon after, but I was too busy reliving Menomena’s
performance in my mind to notice if they were any good or not. Apparently much
of the crowd felt the same way, as it thinned out dramatically after Menomena
ended. As I made my slightly inebriated way out of the venue, I passed all three
Menomena members one by one, promptly telling each of them just what I thought
of the show. To Danny at the merch table: “You’re drumming was so hot.” To
Justin by the bar: “You on that saxophone: totally hot.” And finally, to Brent
as I walked out the door, “Your voice is incredibly hot.” Because no other word
could more effectively sum up that show.