BLACK HEART PROCESSION W/ ENON AND SCOUT NIBLETT, Chicago, IL 10/8/04- The Bottom Lounge
It’s rare that I feel the need to get to a show right as it starts. It’s also
rare that a lineup features three acts as good as these ones, which is why I
found myself skipping the second presidential debate in order to catch opener
Scout Niblett as her set began at 9 PM sharp. I love watching Scout play because
I’m almost positive she is on crack. Alone on stage, switching between her
guitar and her beloved drum kit, she plays like she’s not quite sure where she
is or who she’s playing for; with her eyes closed and smiles randomly crossing
her delicate face, she’s completely lost in her own world until each song ends.
When the audience applauds, the look of surprise on her face seems to indicate
she forgot anyone else was even in the room with her. This combination of
sweetness and oddity is what makes Scout so endearing. She loves her drums even
though she’s not particularly good at them, bringing to mind an 8-year old
banging on her parents’ drum set with pure glee. But when she suddenly starts
banging away and screaming lines like “We’re all gonna die,” you have to wonder
what’s going on beneath that childlike exterior.
During the break between Scout and Enon, I looked around to survey the crowd and
spotted someone who looked uncannily like a member of TV on the Radio. I quickly
wrote it off, thinking there’s no reason TV on the Radio would be hanging out in
Chicago on a Friday night when they’re on tour. Until I remembered they’d just
played the past two nights at the Metro with the Faint. And they’re on the same
record label as Black Heart Procession and Enon. And that record label is based
in Chicago. And then the rest of the band sauntered over and it was official- TV
on the Radio was just hanging out in the crowd. Slowly everyone around me
figured it out as well, and a few went over to talk to them while the majority
(like myself) just kind of pointed and stared. Really though, what would I have
said? “Hey, you’re TV on the Radio.” “Yup.” (awkward pause). “Well, uh, keep
rockin’.” Nah, it was probably better to just stare from afar.
Enon was up next with their bizarre brand of quirky rock and their adorable
Japanese bassist/keyboardist/singer Toko Yasuda. When she announced things like
“Black Heart Procession is up next” and “this song is called ‘Disposable Parts’”
in her oh-so-cute Japanese accent, I think the entire crowd breathed a
collective “awwwww.” Before that point, however, the band sounded a little
shaky; I felt like their vocals were a bit off throughout the first few songs,
and other than the drummer who was rocking out like a maniac, the band didn’t
seem very comfortable onstage. Luckily, the band eventually loosened up and
found its stride, playing a set heavy on their second (and best) album, High
Society. Enon’s strengths were most evident on stage when the band pumped up the
electronic beats for some of their most danceable tracks, such as the
aforementioned “Disposable Parts,” when singer John Schmersal ditched the guitar
to dance around like a freak on stage and bug his eyes out creepily at the
audience as he sang. This song alone more than made up for the poor start.
Aside from a few songs, my knowledge of the Black Heart Procession’s music is
fairly limited. About halfway through their set, however, I realized that they
must be one of the most appropriately named bands in music. The minor chords and
the regular use of the piano makes for an incredibly dark sound that trudged
along at a very deliberate pace, building and swelling as the themes of pain and
heartbreak were conveyed by singer Pall Jenkin’s deep and gravelly voice. Add in
the creepy loops of wind blowing and howling in the background and the fact that
the band was dressed mostly in black (some even in suits), and the atmosphere
was positively funereal- and extremely fitting. Even with my limited background,
I was able to really appreciate the show they were putting on. Eventually, the
constant dreariness combined with the fact that I’d been up since 6 AM began to
get to me, and I knew I was going to have to leave before the encore. I headed
out, more than satisfied having seen three good performances and one TV on the
Radio.

Scout

Enon

Black Heart Procession