GUIDED BY VOICES W/ THE GO, Madison, WI 11/19/03- The Annex
This was my first time seeing Guided by Voices, and from what my friends have
told me, I was to expect two things: 1) Robert Pollard and the gang would get
extremely drunk, and 2) With their 15+ albums and countless side projects, they
were going to play a bunch of stuff I didn't know. While both of these
expectations were fulfilled, Guided by Voices still provided me with some
surprises that made the show extremely worthwhile.
Opening for GBV was Detroit rockers The Go. The Go wavered between sounding like
bad 80s rock to standard Foo Fighters-esque radio-friendly fare. They wrapped
things up with a song that repeated the phrase "oh baby" far too many times.
Overall, not too impressive.
As I waited for Guided by Voices to set up, I examined the crowd. The median age
was definitely substantially higher than most of the shows that I'm used to,
probably due to the fact that GBV have been around since the late 80s. I was
particularly intrigued by a 40-ish gentleman that was sitting next to me. He was
decked out in his Guided by Voices t-shirt and Guided by Voices hat, which I
normally would have made fun of immediately as a total concert faux-pas if it
wasn't so evident to me how much he loved this band. You could see the
excitement bubbling up in him like a little boy as he told his date every fact
he knew about the band and every song he hoped they would play that night.
Seeing his face as the band eventually made its way on stage, I couldn't help
but smile; there's nothing more wonderful than seeing someone's pure love of
music. Throughout the entire show, he kept pointing out to his companion all the
little things that made Guided by Voices so great to him, and I found it
incredibly sweet.
Guided by Voices kicked the show off with "Watch Me Jumpstart," a great,
energetic song to open with and one that I was excited that I knew. Robert
Pollard displayed how after 15 years, he can still have a good time on stage,
giving audience members high-fives and delivering rock-star kicks throughout the
song. Everything I've heard about Guided by Voices' drinking abilities were
proved absolutely true as the members pounded back shots and beer like no other,
often sharing their bottles with fans in the front row. As Pollard said later in
the show, "it's a contest between us and the audience to see who can go down
first." Luckily, and contrary to what I've heard about other shows, the quality
of their presentation didn't decrease too much as the show (and the drinking)
continued.
Guided by Voices went on to play quite a bit from their most recent offering,
Earthquake Glue, including "My Son, My Secretary, and My Country" and "My
Kind of Soldier." Unfortunately, after the latter song, Robert Pollard went on a
string of what I will call "the half-hour of filler." Song after song from
random side-projects such as Phantom Tollbooth and The Circus Devils that I
didn't know and couldn't get into. It's easy to respect a songwriter as prolific
as Robert Pollard, but at the same time it's difficult not to get frustrated
because all that output can't always result in the greatest songs. As Pollard
told the audience, "It's great because these songs aren't Guided by Voices, but
they aren't covers either because I WROTE THEM. I have created my own little
universe." Arrogant, maybe, but absolutely true.
This was the point when I was beginning to zone out of the show, until, for me
at least, a small miracle happened. I know it's always dangerous to go into any
show wanting to hear one song, because Murphy's Law indicates it won't be
played. This has lead me to incredible disappointment at shows like Spoon and
the Strokes, and if a band with only one album (at the time) can fail to play my
song, undoubtedly a band with 15 years of music is unlikely to play my song
either. But just at the point when I thought GBV would never play another song I
knew, Robert Pollard snapped me out of my funk with the exact words I needed to
hear: "This song is called 'Game of Pricks.'" That was it. My Guided by Voices
song. A one-in-a-thousand chance, a song from an album recorded in 1995, and
here it was. And it was absolutely beautiful, everything I could have wanted it
to be and more. My 17 dollar ticket had become completely worth it for just
those two minutes of perfection.
And with that, the "half-hour of filler" ended as suddenly, Guided by Voices
started whipping out the songs they should have been playing all night. "The
Best of Jill Hives," "Useless Inventions," "Back to the Lake," "Things I Will
Keep"- a good 10 songs in a row that provided exactly what I had wanted to get
out of this concert. Clear sound, new harmonies not found on the recorded
tracks, strong vocals- this block of music was clearly the high point of the
night, and I was completely enthralled.
And with that, GBV slowly reverted back to filler mode. At this point they had
been playing for about an hour and a forty-five minutes, and they showed
absolutely no sign of stopping any time soon. Still on a high from hearing "Game
of Pricks," I decided to take my chances on missing out on another run of
greatness and head home to bed. I'd definitely heard what I needed to hear and
was more than content with that much.
A Guided by Voices concert is a lot like a Guided by Voices album; some
incredibly great moments and a bit too much "filler." Luckily for me on this
night, those great moments were more than enough to make up for unnecessary
excess.

Interested in getting into Guided by Voices, but don't know where to start? Just
buy this album,
their greatest hits. It's all you'll ever need.